Liner Notes Kimani Moore on Tracy Chapman, Wizkid, and Crafting a Future for African Artists By Tim Nudd
Liner Notes Soundstripe's Travis Terrell on Paul Simon, A-ha, and Stock Music and Video for Creatives By Tim Nudd
Liner Notes John Ozier on Lee Brice, the Ryman Auditorium, and Building Reservoir's Operation in Nashville By Tim Nudd
Liner Notes David Della Santa on Rush, the Cars, and His Music Royalty Intelligence Platform Trqk By Tim Nudd
Liner Notes Angry Mob's Sean Harrison on the Stones, Greatest Showman, and Sync's Value to Indie Bands By Tim Nudd
Liner Notes Industry Legend Dyana Williams on Her Journey With the Healing Power of Music By Tim Nudd
Liner Notes Josh Rabinowitz on Led Zeppelin, Beyoncé, and the Real Secret to Artist-Brand Collabs By Tim Nudd
Liner Notes FlyteVu's Jeremy Holley on Zeppelin, Cash, and the Value to Brands of 'Undiscovered' Artists By Tim Nudd
Liner Notes 1803 LLC's Andrew Hampp on Saint Etienne, Do The WeRQ, and the Musical Chops of Two HBO Shows By Tim Nudd
Liner Notes Splice's Maria Egan on Karen Carpenter, Chance the Rapper, and Music as Belonging By Tim Nudd
Liner Notes Night After Night's Casey McGrath on 21 Savage, Post Malone and a Better Way of Working With Artists By Tim Nudd
Liner Notes Kellie Pean and Alyssa Convertini on the Art of Connecting Musicians With Marketers By Tim Nudd
Liner Notes WeTransfer's Tiffany Yu on Mariah Carey, Mong Tong, and Brands Furthering the Vision of Artists By Tim Nudd
