Nike and AKQA Get Airborne for the Air Max 2090 Cloud Experience

Content floats in the sky

That cloud looks like a horsey … there's a duck … and that one looks like a sneaker! A brand-new Air Max 2090!

To launch Nike's latest kicks, AKQA São Paulo created an augmented-reality e-commerce experience that puts content in the clouds overhead. (Virtually speaking, of course.)

There's no app required. Just visit this site on your phone and follow the instructions. Point the handset at the sky to display special clouds on your screen—one's shaped like an Air Max 2090, another resembles a classic Air Max 90. Clicking on these images unlocks music and interviews and from Brazilian artists such as Djonga and McSofia.

"When Nike decided they wanted to leverage artists who are helping to inspire the present, we though to ourselves, 'Why not create a cultural platform that is literally floating above our heads?' " AKQA associate creative director Christiano Vellutini tells Muse.

That led the team to the notion of "cloud storage," and they decided that an airborne visualization was in order.

"We used augmented reality to translate that concept into a very simple and intuitive experience," Vellutini says. "In the end, it's just a really cool folder with some exclusive files inside."

Air Max campaigns often aim for hardcore sneakerheads, "but this time, we wanted to go beyond and reach out further to a more mainstream audience," Vellutini says. So, rather than focus on the sneaker as the only user reward, AKQA devised a content play.

"Air Max Cloud" expands on AKQA's "Air Max Graffiti Stores" from last year—a Grand Clio-winning out-of-home effort that saw street artists add the shoes to existing murals, allowing passersby to unlock media and make purchases.

"Both ideas placed Nike in a culturally relevant spot through relatively simple technologies," Vellutini says. "The difference between them is that the 'Graffiti Stores' was based on a very local insight, considering São Paulo's unique street art scene. The 'Air Max Cloud' focuses more on a global insight, considering the moment the world is living in and the tech concept of 'cloud storage.'"

"Air Max Cloud" works only when you aim for the sky, so those self-isolating indoors can point their phones out the window to access the experience.

"When everyone is locked inside their homes do to the Covid pandemic, windows end up being one of the only forms of contact with the outside world," Vellutini says. "People are talking to their neighbors, playing tunes and expressing themselves straight from their balconies. These actions end up being a needed break from confinement."

What's more, "everyone is dealing with boredom by constantly searching for new content without leaving their homes," he says. "So, this project ended up delivering new and relevant content to users, and also encouraging them to go to their windows to have that break."

AKQA took Brazilians outside of themselves in a different way last month, projecting a music video by Criolo and Milton Nascimento onto high-rise building and other structures to raise funds for the nation's 40 million homeless.

CREDITS

Nike / AKQA / Capuri / Hefty
Djonga / Mc Sofia / NGKs
Title:  Air Max Cloud
Product: Nike Air Max 2090
Client: Nike
José Diogo Rodrigues
Gustavo Viana
Filipe Mascaretti
Murillo Maldonado
Agency: AKQA
Chief Creative Officer: Diego Machado, Hugo Veiga
Group Creative Director:  Renato Zandoná
Associated Creative Director: Christiano Vellutini
Art Director: Eduarda Nieto, Melissa Alves
Copywriter: Erika Moreira
Strategy Director: Luiza Baffa
Strategy: Bruno Soares, Gabriella Teixeira e Renato Migrone
Account Director: Aline Garcia
Account Manager: Juliana Pereira
Project Director: Paula Santana
Project Manager: Amanda Silva, Beatriz Durlo e Lucas Araque
Project Assistant: Hadassa Lima
Producer: Stella Gafo
Motion: Anderson Lima e Marcello Amora
PR: Débora Bacaltchuk,
 
Production Company: Capuri
Executive Producer: Thiago Mascarenhas e Eduardo Rezende
Director: Breno Moreira
Ass. Director: Adriana Foureaux
Production Coord.: Nathália Trindade
Production Director: Thiago Freire
Atendimento Produtora: Eduardo Rezende
Atendimento de Pós: Eduardo Rezende
Diretor de Fotografia: Fábio Politi
Direção de arte: Andres Zarza
Montagem: Fernando Alves e Rodrigo Carvalho
Coordenador de Pós: Tiago Coutinho
Colourist: Diogo Comum e Jesus Mendes
Post Production: Tiago Coutinho e Gabriel Talamini
Audio House: Hefty
Sound Effects & Mixagem: Equipe Hefty
Audio Director: Edu Luke
Audio Manager : Cristiane Oliveira e Juliana Pontes
Account Manager: Debora Carvalho e Daniella Cabaritti

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David Gianatasio
David Gianatasio is senior editor at Clio Awards.

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